stamping

The subtle science and exact art of letter writing

May 5, 2011 By Janice Daquila-Pardo 8 Comments

While I didn’t get up at an obscene hour last Friday to watch the royal wedding, I’m a romantic, so I did follow along throughout the day watching and reading about it.

Everything was beautifully orchestrated and everyone was gorgeous. But it wasn’t the spectacle of the event that drew me so much as the opportunity to immerse myself in this great celebration of love. Who among us can see a couple like William and Catherine, young and in love, and not feel our hearts swell?

How often do we have the opportunity to share a grand display of love? Well, certainly shutting down an entire country’s economy for the day and globally televising our declarations of love aren’t in the cards for most of us, but there is a small yet very meaningful gesture available to us any day. It’s the love letter.

Watching William and Catherine vow to love and honor each other all the days of their lives made me itchy to share some mushy sentiments with my husband.

Advice for the love(letter)lorn

But have you attempted to write a love letter? It’s daunting trying to translate those kinds of emotions into words! We can’t all be Victor Hugo:
“My adorable and adored: I have been asking myself every moment if such happiness is not a dream. It seems to me that what I feel is not of earth. I cannot yet comprehend this cloudless heaven. My whole soul is yours…”

Wow, would I love to be able to write this way! Fortunately, there are people through the ages who have excelled at just that. We all like to take inspiration from other artists’ work, so let’s take a look at a few resources that showcase letter-writing artists:

Perhaps these wonderful love letters—of all styles—can help start your words flowing. Keep in mind, though, that the most important element of a good love letter is that it contain honest words from your heart. The rest is gravy.

Of course, my medium of choice for this billet-doux was a scrapbook layout. Although my words are not going to go down in the history books for their style, my hope is that the substance will be always inked on Matt’s heart.

This love letter to my husband is meant to remind him of what I cherish about us.

How can you resist?

April 27, 2011 By Janice Daquila-Pardo 7 Comments

Twisted Sketches launches its 98th sketch today, and the twist this time is “paint.” The sketch and the design team’s interpretations are awaiting you at Twisted Sketches’ site…and here is my design team contribution using the new sketch:

That's me, wearing Daddy's clip-on sunglasses and enjoying the Ohio sunshine.

This is the sketch:

6a00d83451d2c069e20147e3cc26c9970b-800wi

Twisted Sketch #98 calls for 2 photos

For the “paint” twist I was inspired to try a resist technique on the talk bubble using white shimmer paint. I have done resist techniques with ink and embossing powder before but had not yet tried paint resist, so I thought I would show a quick step-by-step just in case it might inspire you to try it on a future layout.

Gather your supplies: Acrylic paint, rubber stamp, Distress Inks and foam applicators.
This technique doesn't take much in the way of supplies.
Apply paint (shimmer paint in my example) to the stamp image and stamp it carefully (don’t smear it) on a spare bit of cardstock.
Immediately take your rubber stamp to a sink and clean it well with soap and water. It’s best not to let the acrylic paint dry on the stamp as it may be harder to remove.
If you’re patient wait until the paint thoroughly dries. If not, hit it with your heat tool for a minute or two.
Start applying the Distress Inks with a circular motion and blend your colors a little where they meet. I used the three colors shown in the photo, but of course there are no rules about how many you use.
Slightly mist a paper towel with water and gently buff off the extra ink from the painted areas to reveal the true color!

Here is a close-up of the final effect. I think I like it!

This close-up photo shows how the shimmer paint resisted the inks.

If you decide to try this quick technique after reading my post, ~~have your people call my people~~ please leave a comment and a link so I can see what you’ve done!

How to use a movie poster as scrapbook inspiration

February 21, 2011 By Janice Daquila-Pardo Leave a Comment

After seeing the movie “Julie & Julia” in 2009—which intertwines the story of Julia Child’s start in the cooking profession with blogger Julie Powell’s challenge to cook all the recipes in Child’s first book—I received Julia Child’s “Mastering the Art of French Cooking” for Christmas. There’s a scene in the movie where Julie Powell has to cook dinner for a special guest and chooses to make Boeuf Bourguignon. Matt and I decided that would be the first dish we would try.

Let me tell you, you don’t just make Boeuf Bourguignon one day after work. This recipe takes several hours and requires some special ingredients that most of us don’t normally keep in our pantries. In our house when we undertake a project like that, we take photos.

My process

Julie & Julia movie poster When I was ready to scrap these photos I already knew what I wanted to title my layout. So I decided to look to the movie art for inspiration. First I looked up “Julie & Julia” on IMDB and thought the title treatment on the movie poster was something I could work with. I could cut out the title with my Silhouette, but what were those fonts?

So I searched on “what fonts are used on julie & julia poster?” and the most helpful result I found was on FontFeed. This site identified the two fonts used as Didot for the words Julie/Julia and Bernhard Modern for the ampersand. The problem was that I didn’t have either of those fonts, and I couldn’t find them on any free font sites.

Then I did another search for “fonts similar to Didot” and found identifont.com, where you can find lists of fonts that are similar to the one you’re looking for. Following this site’s recommendations I found replacement fonts within those that I already owned and I was able to go to town setting up my cut files in the Silhouette Studio software.

I decided to base my color scheme on the movie poster as well. Black and green factor heavily in what makes this poster pop, so I tried to use those colors. I found the perfect paper in my stash that combined the black and green from the poster as well as the red and gold in my photos. From all that came this layout. Bon appetit!

Scraplifting is the highest form of flattery

January 21, 2011 By Janice Daquila-Pardo Leave a Comment

I took school and my school work very seriously (probably a little too seriously!), even at the start. Because of this I believed that copying off another student’s paper was cheating, no matter what. So when in first grade a little girl copied off my artwork, I went home upset and fussed about it to my mother. I didn’t think it was right for her to take my idea, and I wanted my mom to help me figure out how to make her stop. It’s funny how clear this memory is for me—both my feelings about the girl’s behavior and my mother’s response. She said, “Honey, she’s not really cheating off you because it wasn’t a test. She liked your drawing and wanted to make hers like it. Imitation is the highest form of flattery, you know.”

I’ve thought about those words many times over the years. Fast forward a few decades and I realize how much my mother’s lesson sank in. Now I would say my philosophy is that we should all do our own work, but when it comes to creativity I think we should take inspiration wherever we find it.

I was actually quite surprised when I found out that not everyone thinks scraplifting is kosher. I can remember reading a magazine article a few years ago that discussed scraplifting like it was a practice that we no longer need to be embarrassed about. We should even consider doing it occasionally. “Occasionally?” I thought. Don’t most scrappers do this? Don’t art students copy the masters so they can learn the craft?

I hereby officially and proudly proclaim that I am a scraplifter. There are so many wonderful designers sharing their layouts with us in magazines, books and online. Why wouldn’t I copy a layout I really love when I create my own? I can’t think of a good reason. I mean, I don’t go out and buy the exact supplies the other designer used so I can replicate her design to the last detail. I use my own supplies and photos, so it’s naturally going to be different when it’s completed. And I really do believe that imitation is the highest form of flattery, so if I copy your design you know that I am applauding your design skills! 🙂

The layout below is a lift of this Keisha Campell design I saw back in September. I loved every detail of Keisha’s page, so I did everything I could to copy it. I love her original, and now I love my own version as well!

A layout about my husband's maternal grandmother

You cannot win if you do not play

November 23, 2010 By Janice Daquila-Pardo 1 Comment

For a long time I’ve been a lurker online. I read blogs and shook my head, laughing at the funny things other crafters said. But I didn’t comment. I read product reviews and agreed or disagreed with the analysis. But I didn’t drop the reviewer a line about my opinion. I learned about scrapbook and card challenges and toyed with the idea of participating. But I didn’t send in my layouts for consideration.

However, with the start of this blog I decided that had to change. I had to stop lurking and start speaking up. And I admit that’s challenging for me. I can’t tell you how many times I’ve turned to my husband, Matt, at his computer and told him what I thought of things I had read online. And after patiently (usually) listening to my diatribe, he would often say, “You should be blogging this stuff. Or at the very least you should comment on that person’s post.” At the mention of sharing my thoughts publicly I usually just turned back to my computer to read more of what others had written.

When it comes to the challenges and contests I really just haven’t thought I could compete with all the talent out there in the world. There are so many amazing layouts being posted every single day! But that was just a lame excuse for not having to expose myself to critique—or worse, to ridicule.

So I’ve ended that by starting to throw my hat into the ring every so often. It has been so motivating and much more fun than I expected it to be! I’ve even won a few times. Yay! But even more than the winning, I’m enjoying knowing that others are looking at my art. I just hadn’t realized how much that was missing from my process. I’m accustomed to finishing a layout, showing Matt for his approval, and then putting it in the appropriate album. Sort of a letdown, you know?

Well, last night I took the next step in this journey of making my crafting process more public and social. I submitted my work for consideration for a design team. Gulp.

The assignment was fun because it involved working with sketches, which I really love anyway. I liked the sketches, and I’m proud of my resulting layouts. So I feel like I won even if I’m not chosen for the team. Here are my submissions:

Baptized

Sunset cruise

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