Silhouette

Want a free Silhouette cut file I designed?

March 15, 2011 By Janice Daquila-Pardo 4 Comments

I really like the homemade paper-pieced look when I see other scrappers do it, but I don’t usually try that style myself. But this photo and title just screamed to me to give it a try.

I saw a poster a while back that said, “Wherever we are together that is home,” and I bookmarked it in my brain to use when the right photo came along. And then this past weekend I was flipping through a package of my photos and saw this one of my family. It was 1994, and my parents had decided to move from their home of 30 years in Ohio to Chapel Hill, North Carolina. Family friends held a going-away party for us, and this photo was taken at the end of it. I thought the story behind this photo fit that poster’s message perfectly.

So I created the title art in the Silhouette Studio software before cutting it twice to use here. If you have a Silhouette (this file will only work on this machine) and would like to use it on a layout of your own, please leave me a comment on this post telling me you’d like it, and I will email it to you. How’s that for a slice of fried gold?

Wherever we are together that is home

I’m really pleased with how this simple design turned out, so I’m sure I’ll find ways to do more with this homey, handmade look in the future.

How to use a movie poster as scrapbook inspiration

February 21, 2011 By Janice Daquila-Pardo Leave a Comment

After seeing the movie “Julie & Julia” in 2009—which intertwines the story of Julia Child’s start in the cooking profession with blogger Julie Powell’s challenge to cook all the recipes in Child’s first book—I received Julia Child’s “Mastering the Art of French Cooking” for Christmas. There’s a scene in the movie where Julie Powell has to cook dinner for a special guest and chooses to make Boeuf Bourguignon. Matt and I decided that would be the first dish we would try.

Let me tell you, you don’t just make Boeuf Bourguignon one day after work. This recipe takes several hours and requires some special ingredients that most of us don’t normally keep in our pantries. In our house when we undertake a project like that, we take photos.

My process

Julie & Julia movie poster When I was ready to scrap these photos I already knew what I wanted to title my layout. So I decided to look to the movie art for inspiration. First I looked up “Julie & Julia” on IMDB and thought the title treatment on the movie poster was something I could work with. I could cut out the title with my Silhouette, but what were those fonts?

So I searched on “what fonts are used on julie & julia poster?” and the most helpful result I found was on FontFeed. This site identified the two fonts used as Didot for the words Julie/Julia and Bernhard Modern for the ampersand. The problem was that I didn’t have either of those fonts, and I couldn’t find them on any free font sites.

Then I did another search for “fonts similar to Didot” and found identifont.com, where you can find lists of fonts that are similar to the one you’re looking for. Following this site’s recommendations I found replacement fonts within those that I already owned and I was able to go to town setting up my cut files in the Silhouette Studio software.

I decided to base my color scheme on the movie poster as well. Black and green factor heavily in what makes this poster pop, so I tried to use those colors. I found the perfect paper in my stash that combined the black and green from the poster as well as the red and gold in my photos. From all that came this layout. Bon appetit!

Charlie the Tuna, a pleated skirt and a jack-o-lantern smile

February 15, 2011 By Janice Daquila-Pardo Leave a Comment

It is such a wonder to me that even photos from our past that have almost no visual context (like a school portrait) can bring back so many connected memories. In this horrible, wonderful photo of me from second grade I notice:

The sweet sweater vest my mom knit for me
My jack-o-lantern smile
The very precise way my hands have been arranged
That awful haircut (I mean, really?)
My Charlie the Tuna pin

The details that aren’t in this photo but that come flooding back to me just by looking at it are:

The way my classroom at Immaculate Conception School looked
My homeroom teacher, Mrs. Strittmatter
Being escorted up the hill to school every morning by the next-door neighbors’ dog, Barney
Watching in fascination as Mike Batiste, who sat in front of me, turned his paper upside-down to write his notes left-handed
How much I loved my shoes for that year, which were tan and navy tie ups with a turtle embossed on the side

Some photos might not tell you a lot about themselves at the outset. I have found that sometimes just sitting with a photo like this one and casting yourself mentally back to that time—to the feelings of that time—can work a little memory magic.

My second grade school portrait, 1974-75

Now for a little note about the design of this page (because I’m not sure if it’s obvious in the photo above). I wanted to imitate the skirt of my school uniform—a blue, gray, white and black jumper—so I pleated blue checked paper across the bottom section.

Have a Coke and a purr: One-photo layout

February 11, 2011 By Janice Daquila-Pardo 2 Comments

Today’s layout is one I have been wanting to complete for some time. This photo is from 2003, which means it was taken with one of the early digital cameras. Do you remember the ones that took 16×12-inch photos in 72dpi? That’s a small low-resolution photo, which means that in order to print it and retain good resolution I had to make it 4×3 inches.

So, the question was how to take a darling but small photo (in relation to the 12×12 page) and keep the focus on it without sacrificing the fun of design. Simplicity was my answer. By mirroring the size and shape of the photo with one patterned paper and underlining it with a border sticker from the same line, I satisfied my need to use patterned paper (my weakness) without overdoing it. Then I finished off the look by using my Silhouette to cut the title from a free Coke font I found online.

I really love complex, layered designs. But sometimes simplicity leads to a more dramatic result.

Our cat, Oliver, caught on camera sniffing around my drink

Scraplifting is the highest form of flattery

January 21, 2011 By Janice Daquila-Pardo Leave a Comment

I took school and my school work very seriously (probably a little too seriously!), even at the start. Because of this I believed that copying off another student’s paper was cheating, no matter what. So when in first grade a little girl copied off my artwork, I went home upset and fussed about it to my mother. I didn’t think it was right for her to take my idea, and I wanted my mom to help me figure out how to make her stop. It’s funny how clear this memory is for me—both my feelings about the girl’s behavior and my mother’s response. She said, “Honey, she’s not really cheating off you because it wasn’t a test. She liked your drawing and wanted to make hers like it. Imitation is the highest form of flattery, you know.”

I’ve thought about those words many times over the years. Fast forward a few decades and I realize how much my mother’s lesson sank in. Now I would say my philosophy is that we should all do our own work, but when it comes to creativity I think we should take inspiration wherever we find it.

I was actually quite surprised when I found out that not everyone thinks scraplifting is kosher. I can remember reading a magazine article a few years ago that discussed scraplifting like it was a practice that we no longer need to be embarrassed about. We should even consider doing it occasionally. “Occasionally?” I thought. Don’t most scrappers do this? Don’t art students copy the masters so they can learn the craft?

I hereby officially and proudly proclaim that I am a scraplifter. There are so many wonderful designers sharing their layouts with us in magazines, books and online. Why wouldn’t I copy a layout I really love when I create my own? I can’t think of a good reason. I mean, I don’t go out and buy the exact supplies the other designer used so I can replicate her design to the last detail. I use my own supplies and photos, so it’s naturally going to be different when it’s completed. And I really do believe that imitation is the highest form of flattery, so if I copy your design you know that I am applauding your design skills! 🙂

The layout below is a lift of this Keisha Campell design I saw back in September. I loved every detail of Keisha’s page, so I did everything I could to copy it. I love her original, and now I love my own version as well!

A layout about my husband's maternal grandmother

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